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Vous avez sélectionné:
Do It Again
Partitions à imprimer
61 partitions trouvées
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Do It Again for Woodwind, String, or Piano Trio
Do It Again for Woodwind, String, or Piano Trio
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Comédie Musicale
#
George Gershwin, Buddy DeSylva
#
Daniel Kelley
#
Do It Again for Woodwind, Stri
#
Last Resort Music Publishing
#
SheetMusicPlus
Small Ensemble Bassoon,Cello,Flute,Oboe,Piano,Violin - Level 4 - SKU: A0.530175 Composed by George Gershwin, Buddy DeSylva. Arranged by Daniel Kelley. 2...
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Small Ensemble Bassoon,Cello,Flute,Oboe,Piano,Violin - Level 4 - SKU: A0.530175 Composed by George Gershwin, Buddy DeSylva. Arranged by Daniel Kelley. 20th Century,Broadway,Jazz,Musical/Show. Score and parts. 17 pages. Last Resort Music Publishing #2082147. Published by Last Resort Music Publishing (A0.530175). Don't miss this fabuous new arrangement of Do it Again for small ensemble! Parts included in Set Part 1 Flute or Oboe or Violin Part 2 Flute or Oboe or Violin Part 2 ViolaPart 3 Cello or BassoonKeyboard or Guitar Score (Parts 1-3 in C) Playable by String Trio (Violin, Violin or Viola, & Cello), Woodwind Trio, Piano Trio & more. The Keyboard Part is a full harmonization of Parts 2 and 3. Therefore, Do it Again can be played as a Piano Trio, or an entire trio could play with a pianist, as long as Part 1 is being played. Arranged by Daniel Kelley~ Edited by Katerina Lewis Check out our other music! www.lastresortmusic.com
$12.95 ≈
12.09€
Do It Again for C Instruments and Piano Trio
Do It Again for C Instruments and Piano Trio
#
Comédie Musicale
#
George Gershwin, Buddy DeSylva
#
Daniel Kelley
#
Do It Again for C Instruments
#
Last Resort Music Publishing
#
SheetMusicPlus
Small Ensemble Bassoon,Cello,Flute,Oboe,Piano,Violin - Level 4 - SKU: A0.530183 Composed by George Gershwin, Buddy DeSylva. Arranged by Daniel Kelley. 2...
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Small Ensemble Bassoon,Cello,Flute,Oboe,Piano,Violin - Level 4 - SKU: A0.530183 Composed by George Gershwin, Buddy DeSylva. Arranged by Daniel Kelley. 20th Century,Broadway,Jazz,Musical/Show. Score and parts. 13 pages. Last Resort Music Publishing #2082171. Published by Last Resort Music Publishing (A0.530183). Don't miss this fabuous new arrangement of Do it Again for small ensemble! Parts included in Set Music Sample Part 1 C Instruments Part 2 C Instruments Keyboard or Guitar Score (Parts 1-3 in C) Playable by String Trio (Violin, Violin or Viola, & Cello), Woodwind Trio, Piano Trio & more. The Keyboard Part is a full harmonization of Parts 2 and 3. Therefore, Do it Again can be played as a Piano Trio, or an entire trio could play with a pianist, as long as Part 1 is being played. Arranged by Daniel Kelley~ Edited by Katarina Lewis Check out our other music! www.lastresortmusic.com.
$8.95 ≈
8.35€
Do It Again
Do It Again
#
Various Artists
#
Grace UnHae Kwon
#
Do It Again
#
GraceUnHaeKwon.com
#
SheetMusicPlus
Viola Solo - Level 2 - SKU: A0.1419922 By Various Artists. By Chris Brown, Mack Brock, Matt Redman, and Steven Furtick. Arranged by Grace UnHae Kwon. Ch...
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Viola Solo - Level 2 - SKU: A0.1419922 By Various Artists. By Chris Brown, Mack Brock, Matt Redman, and Steven Furtick. Arranged by Grace UnHae Kwon. Christian,Pop,Praise & Worship,Religious,Sacred. Individual part. 3 pages. GraceUnHaeKwon.com #1001346. Published by GraceUnHaeKwon.com (A0.1419922). Do It Again by Elevation Worship - EP VERSION Original Key of Bb Major Difficulty Level: EASY VIOLA (Level 2) Easy Cue Marks written in. Can be performed both as Viola Solo or Viola with Backtrack. Performance Notes: 3rd position is required for the Bridge. Beginner violist can perform the bridge 1 octave lower instead. This is Elevation Worship EP Version. Run time of 6:42. Please make sure you use the correct karaoke/backtrack is the EP Version and in Bb Major. Perfect for professional musicians for Christian events to beginner violist who want to play the song for fun. Sheet music is performance ready and tested, however, (since this song has multiple released versions) I recommend playing through this song with the sheet music to make sure you have the correct karaoke track. For advanced players, I recommend playing an octave higher for the 2nd and 3rd time of the Bridge and 2nd chorus. Arranged by Grace UnHae KwonAlso available for violin solo and cello solo.
$4.99 ≈
4.66€
I Would Gladly Do It All Again (Rehearsal Track)
I Would Gladly Do It All Again (Rehearsal Track)
#
Stephen DeCesare
#
I Would Gladly Do It All Again
#
Exultet Music
#
SheetMusicPlus
Voice - SKU: A0.1052787 Composed by Stephen DeCesare. Broadway,Concert,Film/TV,Musical/Show. Full Performance. Duration 292. Exultet Music #6302939. Pub...
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Voice - SKU: A0.1052787 Composed by Stephen DeCesare. Broadway,Concert,Film/TV,Musical/Show. Full Performance. Duration 292. Exultet Music #6302939. Published by Exultet Music (A0.1052787). This theatrical song is about an actor/actress who has been in the theatre business for a good long while and with all the heartaches and struggles - the artist would gladly do it all again. Scored for a Vocal solo and Piano. Accessible and appropriate for any concert, cabaret or audition.
$3.99 ≈
3.72€
I Would Gladly Do It All Again (Accompaniment Track)
I Would Gladly Do It All Again (Accompaniment Track)
#
Stephen DeCesare
#
I Would Gladly Do It All Again
#
Exultet Music
#
SheetMusicPlus
SKU: A0.1052788 Composed by Stephen DeCesare. Broadway,Concert,Film/TV,Musical/Show. Accompaniment. Duration 288. Exultet Music #6302941. Published by E...
(+)
SKU: A0.1052788 Composed by Stephen DeCesare. Broadway,Concert,Film/TV,Musical/Show. Accompaniment. Duration 288. Exultet Music #6302941. Published by Exultet Music (A0.1052788). This theatrical song is about an actor/actress who has been in the theatre business for a good long while and with all the heartaches and struggles - the artist would gladly do it all again. Scored for a Vocal solo and Piano. Accessible and appropriate for any concert, cabaret or audition.
$3.99 ≈
3.72€
Do It Again by Elevation Worship - Trumpet Solo
Sheet Music
#
Elevation Worship
#
Do It Again
#
Musicnotes
Sheet Music for Do It Again by Elevation Worship arranged for Instrumental Solo in G Major. Digital sheet music from Musicnotes. ...
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Sheet Music for Do It Again by Elevation Worship arranged for Instrumental Solo in G Major. Digital sheet music from Musicnotes.
$4.99 ≈
4.66€
Do It Again by Elevation Worship - Clarinet Solo
Sheet Music
#
Elevation Worship
#
Do It Again
#
Musicnotes
Sheet Music for Do It Again by Elevation Worship arranged for Instrumental Solo in G Major. Digital sheet music from Musicnotes. ...
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Sheet Music for Do It Again by Elevation Worship arranged for Instrumental Solo in G Major. Digital sheet music from Musicnotes.
$4.99 ≈
4.66€
Do It Again
Do It Again
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Contemporain
#
David Lee Murphy, Jeffery Davi
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Keator Keys
#
Do It Again
#
Keator Keys
#
SheetMusicPlus
Small Ensemble - SKU: A0.884982 Composed by David Lee Murphy, Jeffery David Stevens, and Jody Stevens. Arranged by Keator Keys. Contemporary. Score and ...
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Small Ensemble - SKU: A0.884982 Composed by David Lee Murphy, Jeffery David Stevens, and Jody Stevens. Arranged by Keator Keys. Contemporary. Score and parts. 4 pages. Keator Keys #6094957. Published by Keator Keys (A0.884982).
$4.99 ≈
4.66€
Anything You Can Do . . . for violin and vibraphone
Anything You Can Do . . . for violin and vibraphone
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Robert M
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Anything You Can Do . . . for
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Robert M. Greenberg
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Vibraphone,Violin - Level 5 - SKU: A0.987848 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and p...
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Instrumental Duet Instrumental Duet,Vibraphone,Violin - Level 5 - SKU: A0.987848 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 54 pages. Robert M. Greenberg #90285. Published by Robert M. Greenberg (A0.987848). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 12 minutes Year of composition: 2006 Program Note: The mind searches for the oddest of couples. Felix Unger and Oscar Madison. Julia Roberts and Lyle Lovett. The violin and the vibraphone. Aside from the letter V, the two instruments have almost nothing in common. We consider: the violin is the most aristocratic instrument in the Western musical tradition, the prima donna of the instrumental world, an instrument that has had, lavished upon it, more extraordinary music than any other since its invention roughly 475 years ago. And then there’s the vibraphone, a percussion instrument with pitched metal bars and motor-driven resonators that produce a vibrato. Invented around 1925, it’s an instrument created for dance bands and popular music. Anything You Can Do . . . is a confrontation between these two musical opposites. A sense of contest characterizes the entire piece, as the vibraphone seeks to establish its bona fides side by side with the violin, which in turn attempts to keep the vibraphone in its place by beating it at its own game. The first movement is conceived as a race, in which each instrument acts like the other – the violin explosively and percussively, and the vibraphone with lengthy bowed passages – while seeking to shake off the other. The movement concludes with the violin paying a series of huge, chords and a long, sustained triple-stop that, much to its fury, the vibraphone manages to match with a sustained double-stop of its own. The movement ends in a draw. The second movement begins with the violin doing its best to match the vibrato patterns of the vibraphone’s variable motor. Ultimately, the violin breaks free and plays a broad, arioso-styled melody. The vibraphone tries to match it, but cannot; try as it might, its fixed range cannot reach the stratospheric heights of the violin. Advantage violin. The third movement is constructed in three sections. In the outer sections, rapidly rising and falling lines and counter rhythms pervade as each instrument seeks to gain an advantage over the other. In the middle section, alternating, hocket-like phrases give way to bent notes and glissandi in the vibraphone, which infuriates the violin (how dare this upstart percussion instrument do something ordinarily associated with me?). The movement concludes with the violin once again attempting to lord its greater range over the vibraphone by playing a long sustained F# - the same pitch that conquered the vibraphone at the end of the second movement – only to have the vibraphone top it by playing a harmonic a full seven notes above the F#. Game, set, match: vibraphone. Some respect, please, for the new kid on the block. Anything You Can Do . . . is dedicated, with a thousand-and-one thanks, to Victor Romasevich and Jack van Geem.
$28.00 ≈
26.13€
Believe in Yourself Piano Vocal Performance
Believe in Yourself Piano Vocal Performance
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the time I sat down I had deci
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Steven H
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Ashley Ivers
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Believe in Yourself Piano Voca
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Boothe Publishing
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SheetMusicPlus
Piano,Voice - SKU: A0.1069969 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Full Performance. Duration 189. Boothe Publi...
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Piano,Voice - SKU: A0.1069969 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Full Performance. Duration 189. Boothe Publishing #4633703. Published by Boothe Publishing (A0.1069969). I was asked to sing a solo in church when I was 9 or 10 years old, and boy was I prepared to do it. I had practiced it until it was perfect. I walked right up to that pulpit at church, nodded to my accompanist to start playing, and then I looked out at the audience. That's when I lost it. There must have been 1000 people there. I promptly forgot all of the words and started looking around for my Mom. Ah, there she was. Noticing the abject look of terror on my face she smiled at me and started mouthing the words to me. My knees trembling, my whole body shaking, I sang every word that she mouthed to me. By the time I sat down I had decided that I was never going to sing again. However, on the way back to my mother, so many people told me that I did a good job that I decided maybe I would sing again. I believe in myself. I also believe that God is my Father and that Jesus Christ , who is my elder brother, is the Savior of the world.
$1.99 ≈
1.86€
Believe in Yourself Guitar Vocal Performance
Believe in Yourself Guitar Vocal Performance
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the time I sat down I had deci
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Steven H
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Believe in Yourself Guitar Voc
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Boothe Publishing
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SheetMusicPlus
Bass Guitar,Voice - SKU: A0.1069967 Composed by Steven H. Boothe. Christian,Pop,Sacred. Full Performance. Duration 187. Boothe Publishing #4633699. Publ...
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Bass Guitar,Voice - SKU: A0.1069967 Composed by Steven H. Boothe. Christian,Pop,Sacred. Full Performance. Duration 187. Boothe Publishing #4633699. Published by Boothe Publishing (A0.1069967). I was asked to sing a solo in church when I was 9 or 10 years old, and boy was I prepared to do it. I had practiced it until it was perfect. I walked right up to that pulpit at church, nodded to my accompanist to start playing, and then I looked out at the audience. That's when I lost it. There must have been 1000 people there. I promptly forgot all of the words and started looking around for my Mom. Ah, there she was. Noticing the abject look of terror on my face she smiled at me and started mouthing the words to me. My knees trembling, my whole body shaking, I sang every word that she mouthed to me. By the time I sat down I had decided that I was never going to sing again. However, on the way back to my mother, so many people told me that I did a good job that I decided maybe I would sing again. I believe in myself. I also believe that God is my Father and that Jesus Christ , who is my elder brother, is the Savior of the world.
$1.99 ≈
1.86€
Home Again Guitar Minus Vocal
Home Again Guitar Minus Vocal
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Pop musique
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Steven H
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Home Again Guitar Minus Vocal
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Boothe Publishing
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SheetMusicPlus
Guitar - SKU: A0.1069956 Composed by Steven H. Boothe. Pop. Accompaniment. Duration 212. Boothe Publishing #4633655. Published by Boothe Publishing (A0....
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Guitar - SKU: A0.1069956 Composed by Steven H. Boothe. Pop. Accompaniment. Duration 212. Boothe Publishing #4633655. Published by Boothe Publishing (A0.1069956). After our first child arrived I realized that I wasn't free any longer. My mind returned to the good old days when I was free to daydream and do whatever it was that I wanted to do. When I was younger I had wanted to grow up to be a bird, a frog, an ant or a baby bee, but I had grown up to be a man, and now I had a wife and a baby son. Things were not the way I had imagined they would be. Now I had to go to work every day to pay the bills, and I didn't even like my job. It felt like I was bound in chains that were unbreakable. There seemed to be no way out, but there was a way out. All I had to do was accept that life had changed, that I had changed, and I needed to make the best of it. After making that decision life got better and better. I realized that the true plan for life was to create our own homes and families, and that sooner or later we will all return to our heavenly home. I love being home, and at the homes of my siblings, friends, and parents. Home is not really a physical place so much as it is where we are surrounded by people who love us. For me, being home is being where I am loved and accepted.
$1.99 ≈
1.86€
Home Again Guitar Vocal Performance
Home Again Guitar Vocal Performance
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Pop musique
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Steven H
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Home Again Guitar Vocal Perfor
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Boothe Publishing
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SheetMusicPlus
Guitar,Voice - SKU: A0.1069974 Composed by Steven H. Boothe. Pop. Full Performance. Duration 212. Boothe Publishing #4633719. Published by Boothe Publis...
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Guitar,Voice - SKU: A0.1069974 Composed by Steven H. Boothe. Pop. Full Performance. Duration 212. Boothe Publishing #4633719. Published by Boothe Publishing (A0.1069974). After our first child arrived I realized that I wasn't free any longer. My mind returned to the good old days when I was free to daydream and do whatever it was that I wanted to do. When I was younger I had wanted to grow up to be a bird, a frog, an ant or a baby bee, but I had grown up to be a man, and now I had a wife and a baby son. Things were not the way I had imagined they would be. Now I had to go to work every day to pay the bills, and I didn't even like my job. It felt like I was bound in chains that were unbreakable. There seemed to be no way out, but there was a way out. All I had to do was accept that life had changed, that I had changed, and I needed to make the best of it. After making that decision life got better and better. I realized that the true plan for life was to create our own homes and families, and that sooner or later we will all return to our heavenly home. I love being home, and at the homes of my siblings, friends, and parents. Home is not really a physical place so much as it is where we are surrounded by people who love us. For me, being home is being where I am loved and accepted.
$1.99 ≈
1.86€
Wha-Do-Ya Mean?
Wha-Do-Ya Mean?
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Contemporain
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Paul Burnell
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Wha-Do-Ya Mean?
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Paul Burnell
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SheetMusicPlus
Small Ensemble - SKU: A0.835769 Composed by Paul Burnell. Contemporary. Score and parts. 3 pages. Paul Burnell #3074281. Published by Paul Burnell (A0.8...
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Small Ensemble - SKU: A0.835769 Composed by Paul Burnell. Contemporary. Score and parts. 3 pages. Paul Burnell #3074281. Published by Paul Burnell (A0.835769). A text piece for one or more speakers with optional rhythmic percussion accompaniment performed ad libitum.Where the text is presented in bold the speakers should speak loudly, giving particular emphasis to text in capital letters. Where the text is presented in non-bold smaller text styles the speakers should speak less loudly or softer. The speakers should vary the pitch of their voice throughout to give emphasis to the structure and to avoid a monotonous tonal delivery. The repeated ‘words’ instinctively suggest a repetitive rhythmic style of delivery - this is fine. The spaces in the text can be interpreted as rests. If there is more than one speaker the performers may either speak in unison throughout or stagger their entries and echo or overlap freely, but without losing the sense of the overall structure of the text. Multiple speakers may also devise co-ordination points within the piece to co-ordinate collective unisons - then drift apart and overlap again. A single speaker could also perform with an echoing sound effect that gives the impression of multiple voices. If performing with percussion, then a pulsed rhythmic style should be used. The percussion may be freely chosen - drum kit, ‘found’ instruments, body percussion, pre-recorded backing track etc. - performing in any rhythmic style, but not detracting from or obscuring the vocal delivery. Programme note: ‘Wha-Do-Ya-Mean?’ was composed in 2008. It was tested as a warm-up exercise for the CoMA London Ensemble, and then developed into a piece, first performed by Paul Burnell at Battersea Arts Centre, London in October 2008 and then included on the 2010 album ‘Sticking with Childish Things’. It has subsequently been performed by CoMA Singers. The inspiration for the piece was derived from an increasingly fractious and reductive argument between two people, where one person was overheard saying What do you mean ‘what do you mean’? This statement illustrated the pointlessness of the argument, and how comically ridiculous and meaningless it had become, and effectively ended it.
$1.99 ≈
1.86€
The Abduction of Persephone (for String Orchestra)
The Abduction of Persephone (for String Orchestra)
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Aaron Fonzi
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The Abduction of Persephone
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Aaron Fonzi
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.998356 Composed by Aaron Fonzi. Children,Contemporary,Rock,Standards. Score and parts. 27 pages. Aaron Fonzi #33678...
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String Orchestra - Level 3 - SKU: A0.998356 Composed by Aaron Fonzi. Children,Contemporary,Rock,Standards. Score and parts. 27 pages. Aaron Fonzi #3367893. Published by Aaron Fonzi (A0.998356). This piece tells the epic story of Hades' abduction of his niece, Persephone. According to the legend, Hades came up through a crack in the ground and snatched the girl while she was playing. In the Underworld, he tried to seduce her in a variety of ways, but to no avail. Finally, Hades is said to have tricked her into staying by offering her a tempting pomegranate. As Persephone ate 6 seeds, she was to stay in the Underworld for six months each year. It is said that while Persphone is in the Underworld, the plants wither and die, and when she comes back to the surface she brings rebirth to growing things. This piece begins with playful pizzicato lines that build upon each other. These represent Persphone at play, but forebodes the dark forces that are encircling her. When the orchestra goes to arco, Persphone is being dragged into the Underworld. A mournful violin solo signifies her arrival, but this mournful theme is quickly replace by the devious seductions of Hades in the form of a humorous waltz. Finally, Hades offers the pomegranate to Persephone and she eats 6 seeds (represented by the six beats of the B major chord in measures 76 and 77). The main theme then takes over once again, modulating to F# minor to represent Hades' victory. With relentless energy, catchy ostinati and opportunities to work on shifting, pizzicato and arco throughout, this piece will not dissapoint for audiences and students alike. A FEW NOTES: 1. I'd recommend rehearsing the rhythms of recurring ostinati together- first pizzicato then arco. You may get creative and incorporate scales with these rhythms. However you do it, it'll be important that each ostinato is played with precision and confidence. 2. Have fun with the waltz section! It's meant to portray the strange, whimsical nature of Hades' attempts to woo Persephone, so the awkwardness in delivery is encouraged! 3. All ritardandos should be exaggerated for the sake of drama. 4. Encourage your drumset player to explore different ways of accompanying the orchestra- the drumset part is a blueprint, not definitive instructions. 5. Be sure to practice shifting into 2nd position for the modulation. I hope you and your students have a great time putting this epic piece together! I had a ton of fun writing it! ~Aaron Fonzi
$20.00 ≈
18.67€
Una Pena Quita Pena
Una Pena Quita Pena
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Lynieve Austin, Simon James
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Una Pena Quita Pena
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DML
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SheetMusicPlus
Small Ensemble Guitar,Voice - Level 4 - SKU: A0.928252 Composed by Lynieve Austin, Simon James. Contemporary,Latin,Multicultural,World. Score and parts....
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Small Ensemble Guitar,Voice - Level 4 - SKU: A0.928252 Composed by Lynieve Austin, Simon James. Contemporary,Latin,Multicultural,World. Score and parts. 7 pages. DML #5355765. Published by DML (A0.928252). This is a complex song using the rhythm of a Flamenco rumba but with a mixture of finger style and strumming, it will need time and patience to do it well. It uses well known coplas from traditional Spanish sources and is naturally about love but with some fairly pointed remarks like the copla that ends ‘a shoe once worn, discarded, I never wear again’. One of the best things about the Flamenco approach to lyrics - you are never tied down to just one version so you can change the song according to the mood you’re in. This was first performed at the opening of the 2007 Croydon Jazz Festival.
$2.99 ≈
2.79€
Steppin' Out on Faith
Steppin' Out on Faith
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Musique Sacrée
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Pepper Choplin
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Pepper Choplin
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Choral Octavo
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Steppin' Out on Faith
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Jubilate Music Group - Digital
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SheetMusicPlus
Choir Sacred Instrumental Ensemble - SKU: JX.00-36902 Composed by Pepper Choplin. Arranged by Pepper Choplin. This edition: InstruPax. Choral (Sacred); ...
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Choir Sacred Instrumental Ensemble - SKU: JX.00-36902 Composed by Pepper Choplin. Arranged by Pepper Choplin. This edition: InstruPax. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Alfred SingPraise Series. Sacred. Part(s). 21 pages. Jubilate Music Group - Digital #00-36902. Published by Jubilate Music Group - Digital (JX.00-36902). English.Pepper Choplin does it again. He matches his new, but memorable Gospel song and text with a traditional hymn - He Leadeth Me - and winds up with the best of both worlds. Lively and fun, it will energize worship and encourage your people to do as the song says! Related scripture: Psalm 23:2; Philippians 1:19-21; 2 Corinthians 5:7.
$40.00 ≈
37.33€
DO YOU MISS ME SUSIE
DO YOU MISS ME SUSIE
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Jim McGuirk
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DO YOU MISS ME SUSIE
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Jim McGuirk
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Voice - Level 3 - SKU: A0.992061 Composed by Jim McGuirk. Broadway,Country,Folk,Musical/Show,Pop,Rock. Score ...
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Instrumental Duet Guitar,Instrumental Duet,Voice - Level 3 - SKU: A0.992061 Composed by Jim McGuirk. Broadway,Country,Folk,Musical/Show,Pop,Rock. Score and parts. 3 pages. Jim McGuirk #3501637. Published by Jim McGuirk (A0.992061). This is a song from the musical, BARRICADE. It is a song about a man trying to recapture the heart of the girl he loves but lost through his fear of falling in love again.
$1.99 ≈
1.86€
Anonymous Soldier (for Guitar)
Anonymous Soldier (for Guitar)
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Emiliano Brunetti
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Anonymous Soldier
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Emiliano Brunetti
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1371167 Composed by Emiliano Brunetti. Chamber,Romantic Period. Individual part. 4 pages. Emiliano Brunetti #955418. Pub...
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Solo Guitar - Level 4 - SKU: A0.1371167 Composed by Emiliano Brunetti. Chamber,Romantic Period. Individual part. 4 pages. Emiliano Brunetti #955418. Published by Emiliano Brunetti (A0.1371167). Anonymous Soldier seeks to portray the fight between what you need to do and what you want to do. It reflects that battle against the Impostor Syndrome, which tells you how far you are from where you really belong. It is my everyday fight for my dreams, despite how hard they are to achieve, and despite the conflicting context I might be living in (writing classical music from my home of Argentina). This piece explores the use of tremolo effect, which is usually found in advanced pieces. As I am not able to play pieces like Recuerdos de la Alhambra (Tárrega) or Una Limosna por el Amor de Dios (Barrios), I tried to write a piece with this technique I enjoy listening to a lot, in a way that I can perform it while improving my playing.
$5.00 ≈
4.67€
You Can't Do Wrong and Get By
You Can't Do Wrong and Get By
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J
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You Can't Do Wrong and Get By
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J. Randolph Hall
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 3 - Interactive Download SKU: A0.1234369 By ... By Lethal A. Ellis. Arranged by J. Randolph Hall. This edition: Intera...
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Horn,Trombone,Trumpet,Tuba - Level 3 - Interactive Download SKU: A0.1234369 By ... By Lethal A. Ellis. Arranged by J. Randolph Hall. This edition: Interactive Download. Classical,Country,Folk,Pop,Praise & Worship,Standards. 9 pages. Duration 57. J. Randolph Hall #YmYEsYI60uuuLO2azWcdm. Published by J. Randolph Hall (A0.1234369). Key: Ab major.Ellis was a hymnist and World War 1 veteran born in Mississippi. This Gospel song is a warning against continually wronging others and thinking one can get away with it forever. Section A and C are the verse. Sections B and D are the chorus. A modualtion to a new key occurs between B and C with the help of a French augmented sixth chord. A descant by yours truly is then added.
$4.00 ≈
3.73€
Do It Again for Woodwind, String, or Piano Trio Full Set of Parts
Do It Again for Woodwind, String, or Piano Trio Full Set of Parts
Piano Accompaniment,Flute,Oboe,Clarinet,Bassoon,Woodwind Trio,Violin,Viola,Cello,String Trio,Piano Trio,Guitar
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Contemporain
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George Gershwin and Buddy DeSy
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Daniel Kelley
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Do It Again for Woodwind, Stri
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Last Resort Music Publishing - Digital
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SheetMusicPlus
Composed by George Gershwin and Buddy DeSylva. Arranged by Daniel Kelley. 20th Century, Jazz, Broadway, Musicals. Set of Parts. 23 pages. Published by Last Reso...
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Composed by George Gershwin and Buddy DeSylva. Arranged by Daniel Kelley. 20th Century, Jazz, Broadway, Musicals. Set of Parts. 23 pages. Published by Last Resort Music Publishing - Digital (S0.129023). - Set of Parts - 20th Century,Jazz,Broadway,Musicals - Last Resort Music Publishing - Digital
$16.95 ≈
15.82€
Do It Again for String Trio- Violin, Violin, Cello
Do It Again for String Trio- Violin, Violin, Cello
Violin,Cello,String Trio,Guitar
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Contemporain
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George Gershwin and Buddy DeSy
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Daniel Kelley
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Do It Again for String Trio- V
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Last Resort Music Publishing - Digital
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SheetMusicPlus
Composed by George Gershwin and Buddy DeSylva. Arranged by Daniel Kelley. 20th Century, Jazz, Broadway, Musicals. Set of Parts. 12 pages. Published by Last Reso...
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Composed by George Gershwin and Buddy DeSylva. Arranged by Daniel Kelley. 20th Century, Jazz, Broadway, Musicals. Set of Parts. 12 pages. Published by Last Resort Music Publishing - Digital (S0.129025). - Set of Parts - 20th Century,Jazz,Broadway,Musicals - Last Resort Music Publishing - Digital
$8.95 ≈
8.35€
George Gershwin: Do It Again (Low Voice) - voice & other instruments (low voice)
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Comédie Musicale
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Jazz
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George Gershwin
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Virtualsheetmusic
Instantly printable sheet music by George Gershwin for voice & other instruments (low voice) of MEDIUM skill level. / jazz,broadway
Instantly printable sheet music by George Gershwin for voice & other instruments (low voice) of MEDIUM skill level. / jazz,broadway
$1.97 ≈
1.84€
Civility
Civility
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Melanie B
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Civility
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Melanie B Guerin
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.854332 Composed by Melanie B. Guerin. Broadway,Contemporary,Musical/Show. 7 pages. Melanie B Guerin #611066...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.854332 Composed by Melanie B. Guerin. Broadway,Contemporary,Musical/Show. 7 pages. Melanie B Guerin #6110663. Published by Melanie B Guerin (A0.854332). Comedic song for a soprano who has decided this is no time to be nice! This is an uptempo song with some challenging modulations and a wide range (G3-B5), but a catchy tune and lyrics that poke fun of the belligerence of modern society.The world today’s gone mad, they say,And I feel it’s a fitting rebuke,No sooner you’re meeting a stranger,Than he’s telling you Put up your dukes, There’s no longer a role for a peaceful soul,When you’re caught between muscle and might,If you’re gonna get through,There’s just one thing to do,So you take a deep breath,And you join in the fight! Hit ‘em again,If it’s rough, make it rougher,Someone’s gotta suffer,But you’ll be the one who survives,When they’re aiming to give you the worst,You can beat ‘em by hitting ‘em first!Then hit ‘em again,Hit ‘em again,Hit ‘em again. Hit ‘em again,Make it long, make it lasting,They’re practically askingFor a pummeling right in the puss,They’ll remember how right you areWhen you leave ‘em a permanent scar,Hit ‘em again,Hit ‘em again,Hit ‘em again. A swine who would sooner cut you than concede,But he won’t look half as tough when his nose is bleeding,You can spout your facts and figures but eventually you findIt’s better to make him have to change his pants than change his mind. Hit him again,Make him dance, make him dizzy,Sure it’s brutal, but is heNot a villain deserving of grief?He’s a louse and unless I’m mistook,All his geese should be thoroughly cooked!So hit him again,And then… Hit him again,Make him shake, make him shudder,When he’s starting to sputter,It’s then you go in for the kill,Leave him all in a heap on the pitch,‘Til he’s crying like some little bitch!Hit him again,Hit him again,Hit him again, and then again!
$4.75 ≈
4.43€
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